Long Island Advertising Agencies & The Effectiveness Of Wrestle Kingdom 9

By Rob Sutter


This past Sunday, I took it upon myself to watch Wrestle Kingdom 9. For those who do know, this is one of the landmark pay-per-views under the umbrella of New Japan Pro Wrestling. As a longtime wrestling fan myself, I have never seen anything related to NJPW the entire way through. However, after sitting down with it, I was left impressed. It also made me wonder how Long Island advertising agencies could have further marketed the event.

One of the defining traits of Wrestle Kingdom 9, in my view, was the collaboration done with Global Force Wrestling. Without this, it is unlikely that it would have aired in North America, especially with the commentary done by Jim Ross and Matt Striker. I felt like this helped the show, as a viewer, because it allowed me to better understand who everyone was and what their goals were. Even those who aren't privy to NJPW could get into the show rather quickly.

It would be a lie to say that Wrestle Kingdom 9 was light on action. In fact, I would go as far as to say that it was one of the most varied wrestling shows I have seen in quite some time. No two matches felt the same and there were numerous styles covered, whether they were more technical by comparison to others or grittier by design. This helped the show to move along faster, which is vital for a program that clocks in at about five hours in length.

Of course, one has to wonder what would happen if this show had the backing of Long Island advertising agencies. I believe the inclusion of social media would be highlighted the most, seeing as how most news travels quite fast across the likes of Facebook, Twitter, and the like. Content showcasing the date of the event and what's to be expected would be expected. However, it would have to be done in appealing ways, which is where firms like fishbat would be most helpful.

With advertising out of the way, though, Wrestle Kingdom 9 is an early candidate for best pro wrestling pay-per-view of 2015. It managed to do everything that a strong wrestling show should be known for: strong action, versatile matches, and commentary that brings attention to said action as opposed to take away from it. Can more of these shows make their way over to the United States? With the success of Wrestle Kingdom 9, I'd like to think that anything is possible.




About the Author: